Each year, as seasons shift, all creatures return to their habitats. Each year, they present themselves to hunters and gatherers revealing their duty, vitality, and purpose. They were not mere resources; but respected beings with their own life force to enable man to exist on this planet.

These creatures also had eyes to observe how humans treat their bodies during the preservation process. This attention reflected an understanding of Yup’ik interconnectedness and his stewardship.

They placed animal parts and figurines on masks, carrying both practical and symbolic significance. They bridged the gap between the humans and Ellam Yua who was above all his creations on earth. We borrow from his creations. Masks were not idols as they were just “pretend carvings” and used to celebrate thanksgiving each year.

Imagine the bladders of birds and animals swaying on strings, carefully dried and inflated as delicate balloons with dried tundra tea leaves still inside. They made a sound when shook symbolizing these creatures.

They hung carved figurines (calinguat) toys on strings in the Qas’giq (a communal house) and swung in rhythm to the drums. The joyful event everyone shared was the legacy of their wellbeing, symbolizing Ellam Yua’s love through these creatures. These creatures understood their purpose was to serve man.

After the celebration, children would receive these toys from the strings, and the animals returned expressing their gratitude for the respect and thanksgiving the humans shared. Pleased by the selflessness, Ellarpiim Yua granted them permission to celebrate life again alongside humans at their next migration.